Lisa Marie Varon and TNA have failed to come to terms over a modest increase in wages and Lisa has given her fans her two week notice on MySpace. TNA has been adament about not increasing the wages for the Knockouts, who also happen to be their top draw. Awesome Kong left, Sarita and Wilde are rumoured to be planning on leaving as well. Our favorite energizer bunny, Christy Hemme, meanwhile has apparently had her wage increased to triple what her other- wrestling- padres are earning. What reason does Lisa Marie Varon really have to stick around?
TNA is not doing well in the ratings. This Monday’s TNA iMPACT! scored an 0.50 cable rating with 739,000 viewers.
This is not yet the end of the world for TNA. Every wrestling promotion has these dark days in which the promotion struggles to find the right story and right wrestler to connect with their audience and fill the seats. The story goes, ‘one day someone walks out and does something that gets over with the audience and the promotion’s owner hears the crowd cheer- or boo- and he realises they’ve found the next Big Thing.’ The angle, and the wrestlers involved, is worked to death. The promotion finds its stride, its identity, and its followers for a time. And the savvy owner is always looking for the next Big Thing after this Big Thing runs its course…and that’s how a wrestling company stays afloat. Sometimes every promotion has to be kissed by the angle of death in its darkest hours before it can find the next Big Thing. Sometimes the threat of impending doom is needed to force the promoter to take a reality check. Promoters with egos think they know what the fans want better than the fans themselves. TNA’s bound to get its reality check before the money runs out.
Unless the next Big Thing involves a girl wrestling.
TNA is apparently filled with egos fixated on ‘what ought to be’ over the reality of ‘what is.’ To paraphrase Eric Bischoff, if the audience isn’t connecting with the product, it’s because the audience are idiots. So what? PT Barnum would have been tap dancing in the back to discover he’s got a room full of suckers to hock his wares to. There are terrible ideas as to what TNA needs floating around in the back of this promotion, being pushed by people whose egos exceed their business savvy. The emperor has no clothes, and all messengers- even the paying messengers in the audience- are being shot.
Here’s what everyone but the management in TNA realise:
Fact: TNA management scurries to hire every future endeavoured WWE talent.
Fact: TNA promotes every geriatric, overexposed piece of WWE-kissed product they overpay to acquire over their own talent.
Assertion: TNA management thinks that the WWE product is better than their own product.
Quote: “Every battle is won before it is fought.” – Sun Tzu
Assertion: TNA cannot win head-to-head with a company that is bigger and better than they are. TNA management cannot even assert that they thought they had something better and were proven wrong. They knew they were outgunned going into the fight.
Conclusion: TNA lost this battle before they shifted to Monday nights.
Assertion: TNA has absolutely no logical reason to go head-to-head with a company that is bigger and better than they are at this time.
Conclusion: TNA management is absolutely delusional.
(We’re going someplace with this)
Fact: TNA top draw is consistently the Knockouts.
Fact: TNA management isn’t willing to pay for their women wrestlers.
Fact: TNA management believes that their labour budget should be used to hire outsourced WWE talent.
Conjecture: TNA management, being delusional, refuse to believe that people want to The Knockouts product- fit women who can wrestle and just happen to be sexy because they’re fit- over washed-out WWE talent.
Fact: TNA is using the Knockouts for sex appeal with the thinking that cleavage and tummy will get the target audience to tune in, and then the WWE talent can step in and hold the audience’s attention.
Fact: This strategy doesn’t work. The cable ratings plunge after the focus is off the Knockouts.
Conclusion: TNA is totally ruining The Knockouts division in their efforts to cram ex-WWE talent down the throats of their fans.
Okay, we can go on here. But, why bother?
We’re fans of female wrestling because of the total women wrestler package. Fit women are sexy, athletic women are sexy, but we’re fans because women wrestlers who can cut a promo are entertaining; women wrestlers who can wrestle are entertaining! The coolest women wrestlers project confidence, power and danger to the audience. That’s actually part of the fun. Forcing women to flaunt it in front of a crowd to get people to pay attention is exploitive, creepy and weak. Whatever happened to girl power? We’re fans of the total package and we want The Knockouts to be entertaining, sexy and we want them to kick butt!
The way TNA is using the Knockouts is a far cry from the Awesome Kong and Gail Kim feud back in 2008. The product has lost its way.
So, to wrap this up: Lisa, you’re talented, beautiful and sexy. You have a good mind for business, too. You came to TNA to wrestle in a good women’s division and that opportunity isn’t there anymore.
Why not start your own promotion?
You’re looking for a vehicle for a reality show? Hook up with Trish Stratus, Stacy Keibler, Lilian Garcia, and Mike Adamle and build your own division. Get talent like Cheerleader Melissa, Dark Angel, Hamada, Daffney, Taylor Wilde, and Amazing Kong on board. Go on an extended tour of North America, Mexico and Japan and produce the show on the road. Use a documentary/reality show style between matches and you’ll create a great product on a shoe string budget. Keep the roster small because you’ll have talent to use and showcase everywhere you go. You can feature different women wrestlers from different regions each episode, and build entire episodes AROUND women wrestlers like MsChif, Sara Del Ray, and LuFisto. Watch season 1 of ‘Lost’ and build back stories leading up to every match (one weekend show could unravel over several episodes). Have fun mixing kayfabe and straight shoots. Have fun being in control of the creative process for once. There are so many great stories deserving to be documented in women’s wrestling. This would be an amazing reality show.
The other option is for women wrestlers like yourself to always be stuck trying to prove yourself to washed-up, delusional chauvinists that you’re a top draw. If TNA management didn’t get it after years of the Knockouts getting top ratings, they’ll never get it. So, forget them. Take the bull by the horns yourself and your destiny into your own hands.